Kim Anno is a painter, photographer, and film/video artist whose work has been collected and exhibited by museums nationally and internationally. Born in Los Angeles, Anno has had exhibitions and screenings at the 14th Annual New Media Festival, Seoul, Korea, Kala Art Institute,Berkeley, Goethe Institute in Johannesburg, the Durban Municipal Gallery, South Africa in the “Don’t Panic Exhibition”, Flux Projects, Atlanta, Marcia Wood Gallery in Atlanta, 6 channel video installation, Windows Project, Atlanta, Sky Dive Gallery, Houston, San Francisco Asian Art Museum, Patricia Sweetow Gallery in San Francisco, Seeline Gallery in Los Angeles, Patricia Correia Gallery, Santa Monica, Sue Scott Gallery, NY, Site Santa Fe Biennale: One Night Stand in New Mexico, the King’s Art Center, California Retrospective, the Varnosi Museum in Hungary, DC Dusseldorf International Expo (Germany), Pulse, Miami, and the Berkeley Art Museum, the Denison University Museum, and Noel Art Museum. Anno’s work was recently acquired by the Berkeley Art Museum, and the Crocker Art Museum. Recipient of theWallace Alexander Gerbode Foundation Purchase Award and the Eureka Foundation’s Fleishhaker Fellowship, Anno has been a professor at the California College of the Arts since 1996. She was recently awarded a fellowship by the Zellerbach Foundation and the Open Circle Foundation in 2012-13 as well as a Sustainable Arts residency at Kala Art Institute in support of her new interdisciplinary work. In Fall 2014 Anno was a recipient of a Berkeley Film Foundation Award and published her second artists’ book with the poet Anne Carson.
Her recent interests and expertise has been in the intersection of art and science, particularly in aesthetic issues surrounding climate change, water,and adaptation. She is currently at work on a series of paintings and photographs, and a multi chapter intersdisciplinary video work: Men and Women in Water Cities, with in 2013 Water City,Berkeley in collaboration with composer, David Coll, and choreographer, KT Nelson, cinematographer, Ashley James.
The influence of abstraction and abstracting something remains prominent in Anno’s practice, with resulting work that remains “open, playful, and engaged with a difficult ephemeral beauty.” Anno collaborates with other artists and musicians, integrating video, sculpture, sound, and interactivity in performative installations such as Jose Navarrete, Debby Kajiyama. Her photographs have been published in Harper’s Magazine, Sierra Magazine,and Viz Journal from the University of California, Santa Cruz. Anno’s work has been collected by SFMOMA, Berkeley Art Museum, Honolulu Academy of Fine Art Museum, Brooklyn Museum, Crocker Museum of Art, Oakland Museum, Columbia University Library, University of Texas, Austin, Getty Research Institute, Goethe Institute, among others.